In this paper, I discuss the questions: ‘How do the genres of texts influence the reception of a voluntary death scene, and its attached meaning? How are genres helpful when interpreting this meaning?’ I begin my paper by addressing two issues which were raised in response to my initial milestone: first, the issue of terminology in relation to the words ‘suicide’ and ‘martyrdom’, and second, the issue of genre. I expand upon this latter issue by presenting a case study as it appears in my thesis, which is a comparative analysis of Perpetua’s Passion of Perpetua and Apuleius’ Metamorphoses. In these texts, the women Perpetua and Charite are described in parallel ways. Both women are stylised as ‘manly’ or becoming ‘men’ when they commit themselves to dying voluntarily. The stylisation of these women as manly, and the reception of this stylisation, was deeply influenced by the function the authors intended for their texts. I demonstrate how these genres help historians determine the readership of these texts, and the possible reaction these readers were expected to have to these scenes.  Did Apuleius truly intend for his readers to understand Charite’s suicide as a ‘tragedy’? Was Perpetua’s record of her final vision only a dream, or a prophecy of her pending martyrdom? I will resolve these questions by exploring how the genre of these texts shaped the readers’ reception of these dramatic, gendered transformations.